In an interview with Vulture, Chimamanda Ngozi Adichie talks about Melania Trump and expectations of manhood, while a panel of photographers and writers address the importance of creatively depicting climate change. A late artist’s utopian vision of Zaire (now the DRC) made from repurposed trash is on display at the MoMA.
Alisson Wood, MFA candidate and author of the forthcoming book Being Lolita, shares with us her favorite things at the moment. The list includes Neko Case’s album, Broadway, and pigeons.
Lindsay Eyth takes on the patriarchy in Self-Defense, her first solo exhibition, on display at RECSPEC Gallery.
Meg Fee is the author of Places I Stopped on The Way Home, an exploration of the formative years she spent in the city as a 20-something. In this interview, she talks about New York City as a cultural construct, finding home, and turning 30.
A selection of photos from our ninth issue release party, held at Slantspace in Austin on May 25, 2018.
At the center of Rachel Kushner’sThe Mars Room is Romy Hall, who tells of her life before and after receiving a life sentence. Authenticity is something that Kushner does best: her prose makes it easy to identify with Romy’s mindset and circumstance.
House of Kenzo is making the world safe to dance. Through a combination of music, messaging, and movement, the art collective puts audiences in touch with their bodies, engaging them with liberating and unpredictable performances.
jayy dodd is a poet between worlds. An editor and a writer, their work tackles the intersections of race, sexuality, and gender with grace, insight, and style. dodd’s work has appeared in Teen Vogue and Entropy, and they work as an editor for Bettering American Poetry.